Monochrom Painting Felizitas Zechmeister

An early material painting exploring gesture, colour, surface and painterly energy. The expressive application of acrylic creates a dynamic, tactile surface in which the physical act of painting remains visible.

An early material painting exploring gesture, colour, surface and painterly energy. The expressive application of acrylic creates a dynamic, tactile surface in which the physical process of painting remains visible.

An early material painting exploring gesture, colour, surface and painterly energy. The expressive application of acrylic creates a dynamic, tactile surface in which the physical process of painting remains visible.

Horizon Black with White explores materiality, surface, colour and light. Layered oil paint and palette-knife application create a tactile tension between absorption and reflection.

A monochrome study of colour, surface and materiality. The palette-knife application creates a tactile, layered surface in which subtle variations within black become perceptible through texture, light and relief.

A material exploration of darkness, colour and surface. Layered oil paint and palette-knife application create a tactile, dynamic surface in which red and yellow emerge as contrasting accents within the dense black pictorial space.

A material exploration of darkness, colour and surface. Layered oil paint and palette-knife application create a tactile, dynamic surface in which red and white emerge as contrasting accents within the dense black pictorial space.

A material exploration of darkness, colour, surface and light. Layered oil paint and expressive palette-knife application create a dense, tactile surface, while red introduces focused chromatic tension within the predominantly black pictorial space.

A study of ultramarine, colour depth and materiality. Layered oil paint creates a luminous surface where pigment, texture and light reveal the physical presence of colour. Held in a private collection in Schöningen.

A chromatic study of Prussian blue and ultramarine. The palette-knife technique creates layered, tactile surfaces in which subtle variations of colour, texture, density and light become perceptible across the three-part composition.

A chromatic exploration of ultramarine and Prussian blue. The palette-knife technique creates layered, tactile surfaces in which variations of colour, texture, density and light unfold across the three-part composition.

A study of blue, light and colour modulation. Layered oil paint creates a luminous surface in which white opens the blue field and intensifies the interplay of colour, texture and light.

A study of blue, light and colour modulation. Layered oil paint creates a dynamic surface in which white interacts with the blue field, revealing subtle variations in colour, texture, depth and light.

A study of blue, white and light. Layered oil paint creates a structured surface in which subtle shifts of colour, texture and luminosity unfold across the blue field.

A study of blue, materiality and surface. The palette-knife technique creates a tactile, layered structure in which variations of colour, texture, density and light become perceptible within the monochromatic blue field.

A monochrome material study combining earth and oil paint. The work explores materiality, texture and colour depth, treating earth as an integral element of the pictorial structure.

A monochrome material study combining earth and oil paint. The work explores materiality, texture and colour depth, treating earth as an integral element of the pictorial structure.

A monochrome material study combining earth and oil paint. The work explores materiality, texture and colour depth, treating earth as an integral element of the pictorial structure.

Abstract material painting exploring darkness, colour, surface and light. Emerald green creates a focused chromatic accent, intensifying the interplay of absorption and reflection. Pre-ordered for a private collection in Munich.

An abstract material painting in black, ochre yellow and red. Layered oil paint and palette-knife marks create a dense, tactile surface shaped by light and movement.